Pet Shop Boys and other treats
Ian's parents, Charlie and Shirley, arrived to visit for a month towards the end of March. Despite the length of journey, they coped well and have been enjoying themselves greatly doing the Sydney sights. For the first week, the children were at school, and Ian was working, so they, in the words of the Pet Shop Boys, were "left to their own devices".
Talking of the Pet Shop Boys, Neil and Chris were in town doing Sydney gigs. And since Ian and Helen now had baby-sitters on tap, they booked themselves into their first music festival since Glastonbury 1994, the Sydney V Festival.
So it was, on a sunny Saturday, that we (notice the subtle segue into the first person - Ian Mcewan, eat your heart out) found ourselves emerging from the gloom of the CityRail system into the bright daylight of Bondi Junction. The festival was at the Centennial Park rather than the beach, and after a short walk we found ourselves in what turned out to be the shortest queue of the day (only 40 people deep) to get into the festival. It was still mid-afternoon and we were old enough to be the parents of nearly everyone else there - it was only as darkness fell that the more aged patrons of popular music would show their faces.
After the trauma of having suffered a queue - the Internet and other technologies have nearly banished queues from our lives, a blessing which is not celebrated often enough - we thought we would assuage our pain through food and drink. And then we discovered that the organisers of the festival had hit upon a novel way to ensure crowd control: To ban anyone from bringing drinks in, and to only provide four beer taps for the tens of thousands of thirsty folk in the festival. We queued for twenty minutes, listening to the rather charming interpretations of 80s classics by Nouvelle Vague - the Dead Kennedy's would have been very impressed by the jazz version of "Too Drunk to
F***" - till we finally found ourselves at the front of the queue to discover that they'd run out of lager. At 4pm when finish-time was 11pm. Piss-up, organise, festival, unable - rearrange these words into a sentence of your choosing. We grumpily took plastic cups of Cooper's Pale Ale, and contemplated where and who we would see.
By this time, we could hear Nouvelle Vague competing with New York Dolls at 110 dB (whilst we may have been twice the age of the rest of the audience, we were two thirds the age of most of the performers), providing an appropriately chaotic soundtrack. But most of the crowd seemed unphased by the imposition on their time. Having supped, we wandered over to hear Gnaarls Barkley (these two were probably the youngest performers), who were fun, but you needed to be well-versed in rap culture to catch the subtle nuances of their performance - "all the ladies in the house say yeah!". So after another ten minutes queueing to get into the gents toilets, we passed through the surprisingly unaromatic field to see Jarvis Cocker run through a set of his own material, and who after a few minutes had the crowd eating out of ironic hand. He was most excellent, and it was reassuring to hear thousands of voices singing along to "The
c***s are still running the world".
Next were Groove Armada, playing what seemed to be a set of their greatest hits - even if we couldn't put titles on the songs, they all seemed familiar (Has Steve Macaulay told you he knows someone who knows...). With their block-rocking beats, and wonderful synth breakdowns, it soon appeared to be a very large club, with everyone dancing away. Even we let loose our dancing shoes, and were transported to our dancing days of fifteen years ago (where Groove Armada were playing on the Womad stage at Glastonbury).
Last were the PSB, and Helen decided we were going down the front. Even in my gig going days, I would rarely venture into the mosh-pit, so it was with trepidation we worked our way to the front of the stage, where we found ourselves with a number of other forty-somethings - perhaps this wasn't going to be a crowd-surfing gig then. Chris and Neil were excellent, Chris in yellow hoodie and cap standing stage-left behind his computer, whilst Neil, two absolutely gorgeous male dancers, and three singers worked their way through theatrical productions of their greatest hits, the crowd singing along throughout.
And so ended our first festival in fifteen years, and we made our sober way out, thinking that we should have brought the car, and queued unsuccessfully for buses and taxis till we finally walked back into the centre of town and home. A good day out, and we've resolved to take the children to WOMAD or some other child friendly thing next year. As long as we don't have to queue.